After spending countless hours behind cameras and monitors on various film sets, I’ve developed a deep understanding of what makes an external monitor truly valuable.
I’ve learned that a reliable external monitor is essential for your production. Annoyingly, I once shot an entire wedding ceremony thinking my focus was sharp, only to discover later that the camera’s tiny screen had betrayed me.
Let me share my comprehensive breakdown of the best options available, based on real-world experience.
Understanding External Monitors
Before diving into specific models, let’s understand what makes a great external monitor:
- High brightness (at least 1000 nits for outdoor use)
- Accurate color reproduction
- Reliable build quality
- Useful monitoring tools
- Power efficiency
- Signal reliability
Top External Monitors Analyzed
1. Atomos Ninja V
It is the gold standard for most filmmakers, and for good reason. Its ability to record ProRes RAW from compatible cameras sets this apart. The HDR screen is mind-blowing compared to others on this list, and the touch interface is intuitive (looking at you, SmallHD).
Pro tip: Enable the “Director’s Mode” to activate 3D LUTs without recording them – perfect for giving clients a preview of the final look while keeping your footage clean.
My Experience: After using this monitor for over 200 shooting days, I can confidently say it’s nearly perfect for most filmmakers. The ability to record ProRes internally while monitoring HDR is game-changing. However, the fan noise can be noticeable in quiet environments.
Best Use Cases
- Professional filmmaking
- Commercial production
- Documentary work
- Wedding videography
2. SmallHD FOCUS 7
The build quality on this thing is incredible – I’ve literally had it survive a fall onto concrete. Compared to the Ninja V, the screen is larger but doesn’t offer recording capabilities. The page-based interface takes some getting used to, but becomes second nature for quick adjustments.
Standout Features
- Military-grade durability
- PageOS software
- Custom overlay tools
- Excellent viewing angles
Real-World Performance: This monitor has survived everything from rain to drops of concrete. The interface takes about a week to master but becomes second nature. The screen’s color accuracy is remarkable, though not quite as punchy as the Ninja V.
Best For
- Run-and-gun shooting
- Documentary filmmaking
- Educational content
- Corporate videos
Tips for Optimal Use
- Create custom pages for different shooting scenarios
- Use the joystick for quick menu navigation
- Enable power-saving mode for longer battery life
3. PortKeys BM5 III
Here’s an underdog that deserves more attention. What makes this special is its camera control capabilities – you can adjust most camera settings right from the monitor. The screen brightness rivals the Atomos, but with better battery life.
Key Features
- Camera control capabilities
- Bright daylight-visible screen
- Robust build quality
- Advanced scopes and tools
Field Experience: The camera control feature is a game-changer for solo operators. I’ve found it particularly useful when mounting cameras in tight spaces. The menu system is more intuitive than both the Atomos and SmallHD offerings.
Ideal Applications
- Solo shooting
- Remote camera operation
- Studio setups
- Gimbal work
Setup Recommendations
- Configure custom function buttons for quick access
- Use the included sun hood for outdoor shooting
- Keep firmware updated for best camera compatibility
4. Blackmagic Video Assist 7
If you’re shooting on a Blackmagic camera, this is your best friend. The integration is seamless, and the dual SD card slots for recording are clutch. Unlike the Ninja V, it doesn’t support ProRes RAW, but the ProRes recording is still excellent.
5. Feelworld FW759
Perfect for beginners or as a secondary monitor. While it lacks the advanced features of the Atomos or SmallHD, the image quality is surprisingly good. Think of it as the gateway drug to professional monitoring.
6. TVLogic F-7H
The color accuracy on this monitor is out of this world. It’s like having a mini reference display on set.
Compared to others, the menu system is more complex, but the image quality makes up for it.
7. Lilliput A7S
The most underrated monitor for gimbal work. It’s lightweight enough to not throw off your balance, unlike the chunky Atomos. The screen isn’t as bright as the FOCUS 7, but the HDMI loop-through is handy for client monitoring.
8. DESVIEW R7
A newer player in the game, but impressive nonetheless. The touchscreen rivals the Atomos in responsiveness, and the custom overlay tools are actually more intuitive than SmallHD’s implementation.
9. Atomos Shinobi
Think of this as the Ninja V’s lighter sibling – same gorgeous screen without the recording capabilities. Perfect when you need a quality monitor but don’t need external recording.
10. SWIT CM-55C
The dark horse for HDR monitoring. The screen calibration holds up surprisingly well against the much pricier TVLogic, though the build quality isn’t quite as robust.
Essential Monitor Features to Consider
- False Color: Absolute game-changer for exposure
- Focus Peaking: Look for customizable colors and sensitivity
- Waveform/Histogram: Must-haves for technical monitoring
- LUT Support: Crucial for log footage monitoring
- Signal Conversion: Some monitors can cross-convert SDI/HDMI
Pro Tips From Years on Set
Power Management:
- Always use D-tap power when possible instead of batteries
- Set up a battery charging station during lunch breaks
- Keep monitor brightness at 75% to extend battery life
Signal Reliability:
- Use locking HDMI cables (learned this after too many disconnects)
- Consider wireless follow focus if using a monitor on a gimbal
- SDI is more reliable than HDMI for longer cable runs
Monitoring Setup Tips:
- Position your monitor at eye level when possible
- Use articulating arms for easier repositioning
- Keep a sun hood handy, even for indoor shoots
How Different Monitors Work Together:
- Use a high-end monitor (like the Atomos) for your main shooting monitor
- Set up a Feelworld or Lilliput as a client monitor
- Keep a lightweight option like the Shinobi for gimbal work
Common Combinations:
- Ninja V + Feelworld: Perfect for recording and client monitoring
- SmallHD FOCUS + Lilliput: Great for camera op and director viewing
- PortKeys + DESVIEW: Excellent for camera control and focus pulling
Recommended Setups By Budget
Entry Level
Primary: Feelworld FW759
Backup: Lilliput A7S
Accessories: Basic sun hood, battery plate
Mid-Range
Primary: Atomos Ninja V
Secondary: DESVIEW R7
Accessories: Wireless follow focus, V-mount power
Professional
Primary: TVLogic F-7H
Director’s: SmallHD FOCUS 7
Client: Atomos Shinobi
Accessories: Full wireless video system
Conclusion
Choosing the right monitor comes down to understanding your specific needs and workflow. Consider these factors:
- Budget constraints
- Shooting environment
- Crew size
- Technical requirements
Remember: The best monitor is the one that fits your specific workflow. If you’re a solo shooter, the Ninja V or PortKeys might be perfect. For larger productions, consider mixing and matching based on different crew members’ needs.
Color Management Notes:
- Calibrate your main monitor every few months
- Keep calibration tools in your kit
- Use the same LUTs across all monitors for consistency
Advanced Features Worth Learning:
- Custom frame guides for different delivery aspects
- Anamorphic de-squeeze settings
- Multi-camera viewing on supported models
The monitor you choose becomes your window into your footage – don’t compromise on this crucial piece of gear. After all, you can’t fix what you can’t see!
Got specific questions about monitor setups or compatibility with particular cameras? Drop them below – I’ve probably tested that combination at some point.
